"It’s okay,’ you know? It’s okay to be you. It’s okay to just not be okay. It’s okay to not be okay."

(Source: juornals, via larsulric-h)


1 hour ago · 3,650 notes (© juornals)
#kristen stewart

“Chris [Pratt] never uses a spit bucket. When you do scenes where a character is eating, you eat and then spit it out into a ‘spit bucket.’ Chris just keeps eating. If you see Andy eating a cheeseburger in a scene, you should know Chris Pratt ate like 8 cheeseburgers. I love that guy.” — Aziz Ansari (via hellagaby)

(Source: baconpancakeslovesfatties, via imsouncomfortable)



billion-dollars-blog:

alex-tuna:

deep thoughts from a steak

forever isn’t for cows because we murder them to fuckin eat them

so no, it’s not for everyone.

(via arctikalex)



Dascha Polanco at the Tracy Reese Fashion Show during Mercedes-Benz Fashion Week Spring 2015

(Source: winchestersarrow, via ohgodvause)



Accessories at Chanel | Resort 2013.

(Source: pivoslyakova, via ryangoslingstanktop)




"I think it’s about time that we represent all women on the catwalk because that is a part of fashion. The way I see it, there’s no wrong way to be a woman."
– Denise Bidot, “It’s About Time We Represent All Women on the Catwalk”

"I think it’s about time that we represent all women on the catwalk because that is a part of fashion. The way I see it, there’s no wrong way to be a woman."

– Denise Bidot, “It’s About Time We Represent All Women on the Catwalk

(Source: cosmopolitanmagazine, via donniedarkos)



(via justhugharry)


21 hours ago · 241,298 notes (© cinyma)
#Matilda #YES

Shakira alphabet - {w}
» weird lyrics

(via jayduplass)



The Wizard of Oz (1939)

(Source: vintagegal, via kubricksodyssey)


1 day ago · 59,831 notes (© vintagegal)
#the wizard of oz #yah

would love to stay in bed today



howtocatchamonster:

Funny Games is a cinematic version of the philosophical riddle of a tree falling in a forest, leading not only to a heightened sense of being an accomplice on the part of the audience but also to asking questions regarding the audience’s responsibility, the obligation to think about what it means to look at violent imagery and the pain of others and the capacity to understand the absurdity, randomness, and brutality that the violent images actually show. Funny Games is meant to lead to reflection, to catch the audience looking in order to make them conscious of their own look. By establishing an interconnection between the diegesis and the non-diegesis, the film creates an “ethical space” where the audience is held as an accomplice to a representation of violence that they do not even want to see. The audience position in Funny Games, then, is of necessity ethically charged, since this consciousness cannot arise without simultaneously revealing moral values with regard to (media) violence.

Tarja Laine, “Haneke’s ‘Funny Games’ with the Audience.”

(via pawsthomasanderson)



(Source: twirpy, via josephledger-)



lanasblunt:

lanasblunt:

image

(via josephledger-)



(Source: quarrterquels, via markofthespiderman)



Cate Blanchett for Interview Magazine.

(Source: ninasergeevna, via hanniballecters)